Worthington expands American folk art collection

Worthington Galleries’ collection of American folk art is now bigger and better.   From auction houses in New England to the Midwest and Southern states, we’ve added more than 200 new

Worthington acquires rare Picasso ceramics

Worthington Galleries is pleased to announce the acquisition of two limited edition ceramic vessels created by legendary 20th century artist Pablo Picasso. Picasso, best known as the founder of the

Worthington Galleries adds second location in historic Arcade

Worthington Galleries is proud to announce the opening of its second location in downtown Nashville’s historic Arcade. Built in 1903 and located between Fourth and Fifth Avenues, the Arcade is

Investing in art can reap big rewards

Interested in buying art but not sure where to start? Whether buying for personal enjoyment or for investment purposes, art can be a worthwhile, lucrative, investment due to its tendency

Rare Bronze-Age Statuette Found in Israel

A 3,800-year-old pottery jug bearing a figure who appears to be contemplating life, resembling the pose of the figure in Rodin’s The Thinker, has been unearthed in Israel by a team of archaeologists and high-school students.

Pottery, Ceramics, Glass & Artifact Restoration

Ceramic, Pottery & Glass Restoration Worthington provides Restoration and Conservation Services for a wide variety of art. Our professionals are experienced in repairing, restoring, conserving pottery, ancient artifacts, ceramics, porcelain

Lekythos

A lekythos (plural lekythoi) is a type of Ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; theoinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists.[1] They are normally in pottery, but there are also carved stone examples.

Apulian Vase Painting

The Apulian vase painting tradition is considered as the leading South Italian style. The main centre of production was at Taras. Apulian red-figure vases were produced from circa 430 to 300 BC. The plain and ornate styles are distinguished. The main difference between them is that the plain style favoured bell craters, column kraters and smaller vessels, and that a single "plain" vessel rarely depicted more than four figures. The main subjects were mythological scenes, female heads, warriors in scenes of combat of farewell, and dionysiac thiasos imagery

Red-Figure Pottery

Red-figure vase painting is one of the most important styles of figural Greek and Italian vase painting. It developed in Athens around 520 BC and remained in use until the late 3rd century BC. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red colour on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important centre of production outside the Greek World.