Rare Sandro Chia Hand Signed Limited Edition Lithograph Entitled “Lo Schiavo” – Print
An original limited edition signed lithographic print by Sandro Chia (Italian, 1946 – ) | Lithograph is Entitled Lo Schiavo | Personally Signed by the Artist on the bottom right | The print is a limited edition 55 of 75
An original limited edition signed lithographic print by Sandro Chia (Italian, 1946 – ) | Lithograph is Entitled Lo Schiavo | Personally Signed by the Artist on the bottom right | The print is a limited edition 55 of 75 | Dimensions: 28″ x 23″ | Sandro Chia | Lo Schiavo | Italian | 20th Century | Lithograph | Signed
About the Artist:
Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he has travelled extensively in India, Turkey and throughout Europe before settling in Rome in 1970.
During the 1970’s he began to exhibit in Rome and Europe, gradually moving away from conceptual works towards a more figurative style of painting. Between September 1980 and August 1981 he received a scholarship from the city of Monchengladbach in Germany where he moved to work for a year. The following year he moved to New York City, where he will remain for over two decades, with frequent trips back to Montalcino, near Siena in Italy.
He has been part of the Italian “Transavanguardia” movement, exhibiting in many of the most important museums and galleries of the world. He has exhibited at the Biennale of Paris and San Paolo and three times at the Venice Biennale. His work has been part of internationally acclaimed museum group shows. Amongst his most important personal shows are exhibitions at the Stedelijk Museum of Amsterdam (1983), the Metropolitan Museum of New York (1984), the National Galerie of Berlin (1984, 1992), the Museum of Modern Art of Paris (1984); the Museums of Dusseldorf (1984), Antwerp (1989), Mexico City (1989); Palazzo Medici Riccardi in Florence (1991); the Museums of Karlsruhe (1992), Palm Springs (1993), Villa Medici in Rome (1995); Palazzo Reale in Milan (1997), the Boca Raton Museum of Art, Florida (1997), the Galleria Civica of Siena (1997), the Galleria Civica in Trento (2000), the Museo d’Arte of Ravenna (2000); Palazzo Pitti and the Museo Archeologico Nazionale of Florence (2002); and most recently the Duomo of St. Agostino in Pietrasanta (2005) and Galleria Nazionale di Arte Moderna of Rome (GNAM) (2010).
In 2011 a retrospective was held at Foro Boario, Galleria Civica in Modena and at the MIC (Museo della Ceramica di Faenza). In 2012 a retrospective of ‘Transavanguardia’ was held at ‘Palazzo Reale’ in Milan and his solo exhibition at Galleria Biasutti in Turin. In between 2012 and 2015 solo shows of his paintings, drawings and sculptures have been held at Villa Manin in Padova, Steven Harvey Fine Arts in NYC, Hillsboro Fine Art Dublin, Hangaram Art Museum in Seoul and DeLand Museum in Florida.
In 2003, the Italian State acquired three important works of his for the permanent collection of the Italian Senate at Palazzo Madama, and in 2005 two monumental sculptures were acquired by the Province of Rome and placed in front of its headquarters in Via IV Novembre, Rome.
In 2014 the city of of Livorno ha commissioned him a monumental bronze sculpture to be placed at the newly restored square where the ‘Centro di Ricerca Sant’Anna’ has its headquarters.
Today he lives between Miami, Rome and his Castello Romitorio wine-making estate in Montalcino, where he also follows the production of prestigious wines, amongst which the world-famous Brunello wine that won several world famous awards in 2010 and 2015 as ‘best red wine in the world’ (Wine Challenge London 2010 and 2015) .
About “Lo Schiavo”:
Lo schiavo (O escravo in Portuguese, The Slave in English) is an opera in four acts by the Brazilian composer Carlos Gomes. The Italian libretto was by Rodolfo Paravicini, after a play by Alfredo Taunay. The opera deals with the subject of slavery, a major concern in Brazil at the time (the institution had only been abolished by the Lei Áurea in 1888).
As Béhague explains, “Lo schiavo is considered in Brazil to be the best of Gomes’s operas, as it reflects a national subject which required and was given new treatment.”
Artist / Maker
M (up to 30 in.)