George Roualt, Portrait of Christ, Woodblock Print

Georges Roualt Signed Woodblock Print Entitled “Portrait of Christ”

Woodblock Print by Renowned French Artist Georges Roualt (1871 – 1958) | Entitled “Portrait of Christ” | Signed and dated by artist in pencil “GR 1928”

Additional information
  • Woodblock Print by Renowned French Artist Georges Roualt (1871 – 1958) | Entitled “Portrait of Christ” | Signed and dated by artist in pencil “GR 1928″ | Professionally framed and matted under glass | Approx. Dimensions: 15″ x 11”

    Biography from Denis Bloch Fine Art

    French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art.  Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune.  His father was a finisher and varnisher of pianos at a local factory.  Rouault’s grandfather was an amateur art collector who bought engravings, lithographs and Rembrandt painting reproductions.  From 1885 to 1890 Rouault was apprenticed to a stained glass maker, his work included the restoration of medieval glass; the vivid colors and strong outlines characteristic of the medium left a powerful imprint on his work.

    In 1891 he entered the Ecole des Beaux-Arts, where with Matisse, he was a pupil of Symbolist painter Gustave Moreau, a brilliant and sympathetic teacher. Rouault was Moreau’s favorite student and he became the first curator of the Musée Moreau which opened in Paris in 1903.  In 1902 Rouault helped to found the Salon d’Automne, an independant exhibition for those artists rejected by the official Paris Salon, where he showed alongside the Fauves.

    Although Rouault associated with Matisse and the Fauves, he did not adopt their brilliant colors or their typical subjects; instead he painted characters such as clowns, acrobats, dancers, outcasts and judges in jewel-like colors outlined in thick black lines reminiscent of Vincent Van Gogh.  His sympathies were for the poor and downtrodden, and he commented that his imagination was stimulated by “the contrast between brilliant, scintillating things intended to amuse and this infinitely sad life.”  In 1894 he was awarded the first prize at the Concours Chenavard and, in 1910, Rouault would have his first one man show at Galerie Drouet in Paris.  Rouault married Marthe le Sidaner, the sister of Impressionist painter Henri Le Sidaner, in 1908—they would have four children.

    Rouault’s achieved financial success after Ambroise Vollard became his art dealer-publisher in 1917 and he gained an international reputation through the 1930s.  In 1937 he had his first American one-man show at Pierre Matisse Gallery in New York City and in 1938 the Museum of Modern Art held an exhibition of his graphic prints.  Rouault adeptly worked in the various printmaking techniques of woodcuts, lithographs and etchings, often for book illustrations commissioned by Vollard.

    From the 1930s and on Rouault, a staunch Catholic, devoted himself almost exclusively to religious themes in his art interpreting the works in an almost icon-like austerity with intensively bright colors reminiscent of medieval stained glass windows.  He believed in the teaching of the Gospel and stated that his “only ambition is to be able to paint a Christ so moving that those who see Him will be converted.”

    Rouault spent the last decade of his life working to achieve the high standard of perfection he had set for himself.  After the sudden death of his dealer Vollard in 1939, Rouault eventually gained back some 400+ paintings from the estate, of which, he destroyed 315.  Georges Rouault died on February 13, 1958 at the age of 87.  He received the national honor of a state funeral.

    “I am far from being a perfect man and have endless failings and shortcomings, but I also have boundless confidence in certain ideas I hold clear.  I have neither a powerful intellect nor great knowledge with which to defend them, but, such as they are, my artistic talents (and I believe I have some) and spontaneous style I can adopt suffice for me to say what I want with fire and love.”

    Select Museum Collections:
    Art Institute of Chicago, IL
    Hermitage Museum, St. Petersburg
    Metropolitan Museum of Art, NYC
    Minneapolis Institute of Arts, MN
    Musee d’Orsay, Paris
    Boston Museum of Fine Arts, MA
    Museum of Modern Art, NYC
    National Gallery of Canada
    Tate Gallery, London

  • Artist / Maker

    Georges Roualt










    Glass Covering, Matted, Signed




    Portrait, Religious




    Portrait of Christ